| Titre : |
272 pages minus 232 equals Celluloïd |
| Type de document : |
texte imprimé |
| Auteurs : |
Franck David (1966-....), Auteur |
| Editeur : |
Paris : Palais de Tokyo, site de création contemporaine |
| Année de publication : |
2002 |
| Langues : |
Anglais (eng) |
| Catégories : |
2. PERFORMANCE - IDENTITÉ:2-05. MEDIUMS:design - graphisme
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| Note de contenu : |
272 pages minus 232 equals Celluloïd is an artist’s book, a radical, simple gesture. It re-appropriates the 272 pages catalogue of Hans-Peter Feldmann’s work (a collector-artist, who exploits images he doesn’t own), choosing to leave visible only the terms that apply to Feldmann’s work. This act of graphic hijacking serves to interrogate the ever-complexified notion of the signature, the ownership of words and ideas. Here, in just the sort of graphico-conceptual conjuring trick we like, the exploiter finds himself hoisted by his own petard.
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272 pages minus 232 equals Celluloïd [texte imprimé] / Franck David (1966-....), Auteur . - Paris (13 Av. du Président-Wilson, 75116) : Palais de Tokyo, site de création contemporaine, 2002. Langues : Anglais ( eng)
| Catégories : |
2. PERFORMANCE - IDENTITÉ:2-05. MEDIUMS:design - graphisme
|
| Note de contenu : |
272 pages minus 232 equals Celluloïd is an artist’s book, a radical, simple gesture. It re-appropriates the 272 pages catalogue of Hans-Peter Feldmann’s work (a collector-artist, who exploits images he doesn’t own), choosing to leave visible only the terms that apply to Feldmann’s work. This act of graphic hijacking serves to interrogate the ever-complexified notion of the signature, the ownership of words and ideas. Here, in just the sort of graphico-conceptual conjuring trick we like, the exploiter finds himself hoisted by his own petard.
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